Deimantas Narkevičius
Deimantas Narkevičius
Stains and Scratches
Video installations of new films by the outstanding Lithuanian
contemporary artist Deimantas Narkevičius are presented in the
large hall of the National Gallery of Art. They include the
première of the film Stains and Scratches, evoking the
staging the Vilnius student world of the rock opera Jesus
Christ Superstar by Andrew Lloyd Webber at the beginning of
the 1970s, a significant albeit not very well-known event in
Soviet-era alternative culture; and the 2016 film
07.20.2015, documenting the dismantling of the Soviet
sculptures from the Green Bridge in Vilnius, which was acknowledged
by the jury at the international Oberhausen Short Film Festival
with a special mention. The works give the audience a new
perceptual experience in the architecture of darkness designed by
the architect Gintaras Kuginis, and highlight pre-eminently the
basic conceptual grounding of Narkevičius' creative work in
discourses of memory and memorialising. These and the older films
in the show, Countryman (2002), Revisiting
Solaris (2007) and The Dud Effect (2008), critically
address the friction between the personal and collective memory and
the present, and the politicisation of relations with monuments
that perpetuate collective memories. Collating conventional
single-channel and unusual, fantastic (stereoscopic) film viewing
modes in the common space highlights the duality of seeing and
perceiving: the perpetual interconnection between what is real and
what is virtual (imaginary, artificially constructed, imposed) that
affects everyday life and a person's social consciousness. The
title of the exhibition draws attention to both the visible
material traces of time imprinted in and transmitted by old
celluloid and other works of art, and to the stains and scratches
in our self-awareness.
Curator Lolita Jablonskienė
Architect Gintaras Kuginis
Designer Vytautas Volbekas
Project coordinator Giedrius Gulbinas
Exhibition organiser Lithuanian Art Museum,
National Gallery of Art
This project was partly financed by the
Lithuanian Ministry of Culture, Lithuanian Culture Council
Sponsor Exterus
Media sponsors: lrytas.lt, artnews.lt